The Artist in the Machine: The World of AI-Powered Creativity
Arthur I. Miller
Jan 2020 · Gildan Media · Narrated by Adam Lofbomm
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10 hr 9 min
Unabridged
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About this audiobook
Today's computers are composing music that sounds "more Bach than Bach," turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers?
Miller, an authority on creativity, identifies the key factors essential to the creative process, from "the need for introspection" to "the ability to discover the key problem." He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical.
But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us.
Miller, an authority on creativity, identifies the key factors essential to the creative process, from "the need for introspection" to "the ability to discover the key problem." He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical.
But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us.
About the author
Arthur I. Miller is Emeritus Professor of History and Philosophy of Science at University College London. He is the author of Colliding Worlds: How Cutting-Edge Science Is Redefining Contemporary Art and other books, including Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc.
Adam Lofbomm's passion for language inspired him to read broadly, write extensively, speak publicly, and perform on-stage and on-camera. In 2006, when he stepped into the vocal booth for his first narration job, all those many pieces clicked into place. He realized that voice acting was what he was made to do.
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