From the Outside: My Journey Through Life and the Game I Love

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· HarperCollins
4.5
10 reviews
Ebook
278
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About this ebook

New York Times Bestseller

The record-holding two-time NBA champion and recently inducted hall-of-famer reflects on his work ethic, his on-the-court friendships and rivalries, the great teams he's played for, and what it takes to have a long and successful career in this thoughtful, in-depth memoir.

Playing in the NBA for eighteen years, Ray Allen won championships with the Boston Celtics and the Miami Heat and entered the record books as the original king of the three-point shot. Known as one of the hardest-working and highest-achieving players in NBA history, this most dedicated competitor was legendary for his sharp shooting. From the Outside, complete with a foreword by Spike Lee, is his story in his words: a no-holds-barred look at his life and career, filled with behind-the-scenes stories and surprising revelations about the game he has always cherished.

Allen talks openly about his fellow players, coaches, owners, and friends, including LeBron James, Kobe Bryant, and Kevin Garnett. He reveals how, as a kid growing up in a military family, he learned about responsibility and respect—the key to making those perfect free throws and critical three-point shots.

From the Outside is the portrait of a gifted athlete and a serious man with a strongly defined philosophy about the game and the right way it should be played—a philosophy that, at times, set him apart from colleagues and coaches, while inspiring so many others, and lead to the most pivotal shot of his career: the unforgettable 3-pointer in the final seconds of Game 6 of the 2013 NBA finals against the San Antonio Spurs. Throughout, Allen makes clear that success in basketball is as much about what happens off the court as on, that devotion and commitment are the true essence of the game—and of life itself.

Ratings and reviews

4.5
10 reviews
Lajon Scott
March 1, 2019
Thank you for your story and amazing perspective
3 people found this review helpful
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About the author

Ray Allen, the most prolific three-point shooter of all time, played in the NBA for 18 years, winning two championships (2008 Boston Celtics, 2013 Miami Heat). Allen, who went to the University of Connecticut, was the 1996 Big East Player of the Year. As a pro, he averaged more than 20 points a game for 10 straight seasons. Directing, writing, and starring in his own films, as did Charlie Chaplin and Orson Welles before him, Lee has arguably had almost as profound an influence on American filmmaking as his predecessors, although in very different ways. In his own words, he is good at "marketing," and what he has marketed is a highly politicized African American cinema that is also commercially viable. Many critics credit Lee with paving the way for a new wave of mass-market yet socially conscious filmmakers, including John Singleton, Charles Lane, and Carl Franklin. The eldest of six children, Lee was educated first at Morehouse College and then at New York University's film school. His first feature release, She's Gotta Have It (1986), won the Prix de Jeunesse at Cannes and was both critically acclaimed and commercially successful in the United States. Lee went on to make School Daze (1988) and Do the Right Thing (1989), a technically sophisticated film that addressed racism in a complex and controversial fashion. The film constructs a narrative that leaves it to the viewer to decide whether its protagonist, Mookie, has done the right thing when he responds to the death of one of his friends at the hands of the police by throwing a trash can through the window of his employer, who had called the police in the first place. Because a riot ensues, many (white) critics argued that the film celebrated violence, and the press suggested that it would incite black spectators to riot (it did not). Other critics suggested that Mookie actually defuses a riot, by directing the community's anger toward property and away from the police. Two years later, Lee tackled the subject of interracial relationships in another hotly debated film, Jungle Fever (1991), which some saw as preachy and sexist and others praised as bold and complex. However, his most recent and ambitious film, Malcolm X (1992), has been almost universally acclaimed. Lee has published a companion text for each film that includes biographies of all of the principals, essays on such topics as guerilla filmmaking, production stills, details of salaries and finances, excerpts from his journal or production notes, and the script. These materials demystify production, advertise the talents of the people who work for him, and promote his political positions, particularly his commitment to black entrepreneurship and cultural self-expression.

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