William Blake (1757-1827), a towering figure in the history of poetry and visual arts during the Romantic Age, is renowned for his unique artistic vision and philosophical depth. Blake was not only a poet but also an accomplished printmaker, with much of his work engaging with themes of innocence, experience, and mystical thought. 'The Grave' is among his lesser-known productions, an illustrated series of designs for a poem by Robert Blair. While 'The Grave' is not a literary work crafted directly by Blake's pen, it remains vital within his oeuvre for his visual contributions. Blake's more famous works, such as 'Songs of Innocence and of Experience' (1789), 'The Marriage of Heaven and Hell' (1793), and 'Jerusalem: The Emanation of the Giant Albion' (1820), reveal his highly individual style characterized by symbolic complexity and prophetic tone. Blake's contributions to literature and visual art were not fully appreciated during his lifetime, but his influence has grown posthumously, marking him as a seminal figure in Western art and literature. Academics continue to study his work for its rich symbolism, revolutionary spirit, and its challenge to the societal norms of his era (Damrosch & Dettmar, 2005).