The Woman in White: Wilkie Collins Top Collections
About this ebook
If the machinery of the Law could be depended on to fathom every case of suspicion, and to conduct every process of inquiry, with moderate assistance only from the lubricating influences of oil of gold, the events which fill these pages might have claimed their share of the public attention in a Court of Justice.
But the Law is still, in certain inevitable cases, the pre-engaged servant of the long purse; and the story is left to be told, for the first time, in this place. As the Judge might once have heard it, so the Reader shall hear it now. No circumstance of importance, from the beginning to the end of the disclosure, shall be related on hearsay evidence. When the writer of these introductory lines (Walter Hartright by name) happens to be more closely connected than others with the incidents to be recorded, he will describe them in his own person. When his experience fails, he will retire from the position of narrator; and his task will be continued, from the point at which he has left it off, by other persons who can speak to the circumstances under notice from their own knowledge, just as clearly and positively as he has spoken before them.
Thus, the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness—with the same object, in both cases, to present the truth always in its most direct and most intelligible aspect; and to trace the course of one complete series of events, by making the persons who have been most closely connected with them, at each successive stage, relate their own experience, word for word.
Let Walter Hartright, teacher of drawing, aged twenty-eight years, be heard first.
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About the author
William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and author of short stories. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868).
Collins was born into the family of painter William Collins in London. He received his early education at home from his mother, after which he attended an academy and a private boarding school. He also traveled with his family to Italy and France, and learned the French and Italian languages. He served as a clerk in the firm of the tea merchants Antrobus & Co.
His first novel Iolani, or Tahiti as It Was; a Romance, was rejected by publishers in 1845. His next novel, Antonina, was published in 1850. In 1851, he met Charles Dickens, and the two became close friends. A number of Collins' works were first published in Dickens' journals All the Year Round and Household Words. The two collaborated on several dramatic and fictional works, and some of Collins' plays were performed by Dickens' acting company.
Collins published his best known works in the 1860s, achieving financial stability and an international reputation. During this time he began suffering from gout and developed an addiction to opium, which he took (in the form of laudanum) for pain. He continued to publish novels and other works throughout the 1870s and '80s, but the quality of his writing declined along with his health. He died in 1889.
