White Fang: Classic American Literature
О овој е-књизи
A vast silence reigned over the land.
The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness.
There was a hint in it of laughter, but of a laughter more terrible than any sadness--a laughter that was mirthless as the smile of the sphinx, a laughter cold as the frost and partaking of the grimness of infallibility.
It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life.
It was the Wild, the savage, frozen-hearted Northland Wild.
But there _was_ life, abroad in the land and defiant.
Down the frozen waterway toiled a string of wolfish dogs.
Their bristly fur was rimed with frost.
Their breath froze in the air as it left their mouths, spouting forth in spumes of vapour that settled upon the hair of their bodies and formed into crystals of frost.
Leather harness was on the dogs, and leather traces attached them to a sled which dragged along behind.
The sled was without runners.
It was made of stout birch-bark, and its full surface rested on the snow....
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О аутору
John Griffith "Jack" London (1876 – 1916)was an American author, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone.
Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf.
London was part of the radical literary group, "The Crowd", in San Francisco, and a passionate advocate of unionization, socialism, and the rights of workers. He wrote several powerful works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.
