We Play Ourselves: A Novel
feb 2021 · Random House
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After a humiliating scandal, a young writer flees to the West Coast, where she is drawn into the morally ambiguous orbit of a charismatic filmmaker and the teenage girls who are her next subjects.
FINALIST FOR THE LAMBDA LITERARY AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE YEAR • “A blistering story about the costs of creating art.”—O: The Oprah Magazine
Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity: a Fight Club inspired by the violent classic.
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art—especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she’s no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.
FINALIST FOR THE LAMBDA LITERARY AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE YEAR • “A blistering story about the costs of creating art.”—O: The Oprah Magazine
Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity: a Fight Club inspired by the violent classic.
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art—especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she’s no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.
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Informazioni sull'autore
Jen Silverman (they/them) is a New York-based writer, playwright, and screenwriter. Silverman is the author of the novels There’s Going to Be Trouble and We Play Ourselves, which was a finalist for a Lambda Literary Award, the story collection The Island Dwellers, which was longlisted for a PEN/Robert W. Bingham Prize for debut fiction, and the poetry chapbook Bath, selected by Traci Brimhall for Driftwood Press. Additional work has appeared in The New York Times, Vogue, The Paris Review, Ploughshares, and elsewhere. Their plays have been produced across the United States and internationally, including The Roommate, starring Patti LuPone and Mia Farrow, on Broadway. Silverman has written on Tales of the City (Netflix) and is a writer-producer on Tokyo Vice Season 2 (Max). They are a three-time MacDowell Fellow, a member of New Dramatists, a Scholar of Note at the American Library in Paris, and the recipient of fellowships from the National Endowment for the Arts and the Guggenheim.
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