The White Carnation
2015 urr. · Bloomsbury Publishing
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“There have been strange rumours about this house. Although it was in a state of ruin, lights were seen in the windows every Christmas Eve: music was heard: voices and laughter...”
The first production in sixty years of R. C. Sherriff's supernatural drama.
Christmas Eve, 1951. As Britain rebuilds itself after the war, John Greenwood has it all – a successful business, a beautiful house and an aristocratic wife. But as he bids farewell to the guests leaving his annual Christmas party, a gust of wind slams the front door shut, starting a chain of events that makes him doubt everything he has ever known...
From the writer of one of the 20th century's most acclaimed plays, Journey’s End, The White Carnation is a ghostly tale of one man’s chance to do things differently.
The first production in sixty years of R. C. Sherriff's supernatural drama.
Christmas Eve, 1951. As Britain rebuilds itself after the war, John Greenwood has it all – a successful business, a beautiful house and an aristocratic wife. But as he bids farewell to the guests leaving his annual Christmas party, a gust of wind slams the front door shut, starting a chain of events that makes him doubt everything he has ever known...
From the writer of one of the 20th century's most acclaimed plays, Journey’s End, The White Carnation is a ghostly tale of one man’s chance to do things differently.
Egileari buruz
R. C. Sherriff was born in 1896, and remains best known for his classic First World War masterpiece, Journey's End, recently revived for a long run in the West End – 'Recent revivals have suggested that Sherriff's drama remains as hard-hitting and fresh as ever' Lyn Gardner, The Guardian. His many screenplays include The Invisible Man (1933), The Four Feathers (1939), the Oscar-nominated Goodbye Mr. Chips (1939) and The Dam Busters (1955). Though Journey's End continued to define his career in the theatre, the post-Second World War period was an 'Indian summer' for Sherriff with productions of Miss Mabel (1948), Home at Seven (1950) and The Long Sunset (1955). He died in 1975.
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