The Odd Women
Jan. 2007 · Penguin UK
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416
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Virginia and Alice Madden are 'odd women', growing old alone in Victorian England with no prospect of finding love. Forced into poverty by the sudden death of their father, they lead lives of quiet desperation in a genteel boarding house in London. Meanwhile, their younger sister Monica, struggles to endure a loveless marriage she agreed to as her only escape from spinsterhood. But when the Maddens meet an old friend, Rhoda Nunn, they are soon made aware of the depth of their oppression. Astonishingly ahead of its time, The Odd Women is a pioneering work of early feminism. Gissing's depiction of the daring feminist Rhoda Nunn, it is an unflinching portrayal of one woman's struggle to reconcile her own desires with her deepest principles.
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George Robert Gissing was born on November 22, 1857, and died on December 28, 1903. He was an English novelist who published 23 novels between 1880 and 1903. Recent years have seen a strong revival of interest in Gissing, many of whose novels are now available in reprints. A bridge between late Victorianism and early modernism, Gissing's novels combine two essential themes of the period; the isolation and struggle of the artist and the economic bondage of the proletariat. New Grub Street (1891) and his own indirect autobiography, The Private Papers of Henry Ryecroft (1903), reveal the close connection in Gissing between fiction and autobiography. Workers in the Dawn (1880) and Demos: A Story of English Socialism (1892) dramatizes Gissing's conviction that economic and class divisions are central to human character and individual destiny. Gissing died from emphysema at age 46 after catching a chill on an ill-advised winter walk. Verinilda was published incomplete in 1904. He is is buried in the English cemetery at Saint-Jean-de-Luz.
In 1977, Showalter published A Literature of Their Own: British Women Novelists from Bronte to Lessing. It was one of the most influential works in feminist criticism, as it sought to establish a distinctive tradition for women writers. In later essays, Showalter helped to develop a clearly articulated feminist theory with two major branches: the special study of works by women and the study of all literature from a feminist perspective. In all of her recent writing, Showalter has sought to illuminate a "cultural model of female writing," distinguishable from male models and theories. Her role as editor bringing together key contemporary feminist criticism has been extremely influential on modern literary study.
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