The Master Bedroom
sij 2015. · Random House
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320
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family_home
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LONGLISTED FOR THE ORANGE PRIZE FOR FICTION
Kate Flynn has always been a clever girl, brought up to believe in herself as something special. Now Kate is forty-three and has given up her university career in London to come home and look after her mother at Firenze, their big house by a lake in Cardiff. When Kate meets David Roberts, a friend from the old days, she begins to obsess about him: she knows it's because she's bored and hasn't got anything else to do, but she can't stop.
Adapting to a new way of life, the connections Kate forges in her new home are to have painful consequences, as the past begins to cast its long shadow over the present...
'Bewitching... A prose stylist of quite outstanding talent with a gift for psychological acuity and an ability to encapsulate the human condition' Guardian
Kate Flynn has always been a clever girl, brought up to believe in herself as something special. Now Kate is forty-three and has given up her university career in London to come home and look after her mother at Firenze, their big house by a lake in Cardiff. When Kate meets David Roberts, a friend from the old days, she begins to obsess about him: she knows it's because she's bored and hasn't got anything else to do, but she can't stop.
Adapting to a new way of life, the connections Kate forges in her new home are to have painful consequences, as the past begins to cast its long shadow over the present...
'Bewitching... A prose stylist of quite outstanding talent with a gift for psychological acuity and an ability to encapsulate the human condition' Guardian
O autoru
Tessa Hadley is the author of eight highly praised novels, Accidents in the Home, which was longlisted for the Guardian First Book Award, Everything Will Be All Right, The Master Bedroom, The London Train, Clever Girl, The Past, Late in the Day, Free Love and three collections of stories, Sunstroke, Married Love and Bad Dreams. She won the Windham Campbell Prize for Fiction in 2016, The Past won the Hawthornden Prize for 2016, and Bad Dreams won the 2018 Edge Hill Short Story Prize. Her stories appear regularly in the New Yorker.
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