The Albatross
feb. 2017 · Open Road Media
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Making amends for a tragic accident, a couple fears their good deed is about to be punished in this suspense novel from the “mistress of day-lit terror” (The New York Times).
In a roadside Santa Clara motel, Esther Gardner wakes up to an intruder lurching toward her. No one blames her husband, Tom, for taking him down with a single blow to the head—least of all the stranger himself, an embarrassed real estate broker from Arcadia, who had drunkenly stumbled into the wrong room.
Three days later, the poor man dies of a neglected head injury, leaving his wife, Audrey, and her invalid sister penniless, desperate, and in need of a new home. Overcome with guilt, Tom and Esther invite the women to stay with them. But as the temporary stay stretches into months, Esther can’t shake the disquieting suspicion that their grieving, freeloading guests are up to something.
The sisters’ whispers are starting to sound conspiratorial. Their stories aren’t adding up. And their smiles are beginning to curl with menace. If it’s all in Esther’s over-burdened imagination, that would be understandable. If it isn’t, that could be terrifying.
With eight novels and nearly two dozen short stories adapted for film and television, The Albatross demonstrates once again why Edgar Award–winning Charlotte Armstrong is considered “the American queen of suspense novelists” (New York Telegraph).
In a roadside Santa Clara motel, Esther Gardner wakes up to an intruder lurching toward her. No one blames her husband, Tom, for taking him down with a single blow to the head—least of all the stranger himself, an embarrassed real estate broker from Arcadia, who had drunkenly stumbled into the wrong room.
Three days later, the poor man dies of a neglected head injury, leaving his wife, Audrey, and her invalid sister penniless, desperate, and in need of a new home. Overcome with guilt, Tom and Esther invite the women to stay with them. But as the temporary stay stretches into months, Esther can’t shake the disquieting suspicion that their grieving, freeloading guests are up to something.
The sisters’ whispers are starting to sound conspiratorial. Their stories aren’t adding up. And their smiles are beginning to curl with menace. If it’s all in Esther’s over-burdened imagination, that would be understandable. If it isn’t, that could be terrifying.
With eight novels and nearly two dozen short stories adapted for film and television, The Albatross demonstrates once again why Edgar Award–winning Charlotte Armstrong is considered “the American queen of suspense novelists” (New York Telegraph).
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O avtorju
Edgar Award–winning Charlotte Armstrong (1905–1969) was one of the finest American authors of classic mystery and suspense. The daughter of an inventor, Armstrong was born in Vulcan, Michigan, and attended Barnard College, in New York City. After college she worked at the New York Times and the magazine Breath of the Avenue, before marrying and turning to literature in 1928. For a decade she wrote plays and poetry, with work produced on Broadway and published in the New Yorker. In the early 1940s, she began writing suspense.
Success came quickly. Her first novel, Lay On, MacDuff! (1942) was well received, spawning a three-book series. Over the next two decades, she wrote more than two dozen novels, winning critical acclaim and a dedicated fan base. The Unsuspected (1945) and Mischief (1950) were both made into films, and A Dram of Poison (1956) won the Edgar Award for best novel. She died in California in 1969.
Success came quickly. Her first novel, Lay On, MacDuff! (1942) was well received, spawning a three-book series. Over the next two decades, she wrote more than two dozen novels, winning critical acclaim and a dedicated fan base. The Unsuspected (1945) and Mischief (1950) were both made into films, and A Dram of Poison (1956) won the Edgar Award for best novel. She died in California in 1969.
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