Shakespeare and the Making of Theatre
Paul Edmondson · Bridget Escolme
2012 urr. · Bloomsbury Publishing
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A highly engaging text that approaches Shakespeare as a maker of theatre, as well as a writer of literature. Leading performance critics dismantle Shakespeare's texts, identifying theatrical cues in ways which develop understanding of the underlying theatricality of Shakespeare's plays and stimulate further performances.
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BRIDGET ESCOLME Senior Lecturer in the Department of Drama at Queen Mary, University of London, UK. Her publications include Talking to the Audience: Shakespeare, Performance, Self and Antony and Cleopatra in the Palgrave Shakespeare Handbooks series. She has worked as a performer and a dramaturge in the UK and USA.
STUART HAMPTON-REEVES Professor of Research-informed Teaching at the University of Central Lancashire, UK. He is the author of Shakespeare in Performance: the Henry VI Plays, Shakespeare's Histories and Counter-Histories and Measure for Measure in the Shakespeare Handbooks series. He was Performance Editor for the journal Shakespeare from 2004-7 and is currently Treasurer of the British Shakespeare Association.
STUART HAMPTON-REEVES Professor of Research-informed Teaching at the University of Central Lancashire, UK. He is the author of Shakespeare in Performance: the Henry VI Plays, Shakespeare's Histories and Counter-Histories and Measure for Measure in the Shakespeare Handbooks series. He was Performance Editor for the journal Shakespeare from 2004-7 and is currently Treasurer of the British Shakespeare Association.
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