Racine's Mid-Career Tragedies
prosinec 2015 · Princeton University Press
E‑kniha
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Podrobnosti o e‑knize
Translated into English rhyming verse, with introductions, by Lacy Lockert, the four plays included in this volume are Berenice, Bajazet, Mithridate, and Iphigenie. They are significant for their inherent excellence, and for what they reveal about the development of a great dramatist.
Originally published in 1958.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Originally published in 1958.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
O autorovi
Jean Racine is considered the greatest of French tragic dramatists. If Shakespeare's (see Vol. 1) theater is characterized by exploration and invention, Racine's is defined by restraint and formal perfection. His themes are derived from Greco-Roman, biblical, and oriental sources and are developed in the neoclassic manner: keeping to few characters, observing the "three unities" defined by Aristotle (see Vols. 3, 4, and 5) as essential to tragedy (i. e., unity of time, place, and action), and writing in regular 12-syllable verses called "alexandrines." In contrast to Corneille, whose theater is eminently political and concerned with moral choices, Racine locates tragic intrigue in the conflict of inner emotions. He is a master at exploring the power of erotic passion to transform and pervert the human psyche. As a Jansenist who believed that a person deprived of grace was subject to the tyranny of instincts, Racine was interested in portraying human passions---particularly the passion of love---in a state of crisis. Racine is also one of the greatest of all French poets, and his plays are a challenge to any translator. His major tragedies include Andromaque (1667), Britannicus (1669), e Berenice (1670), Iphigenie (1674), and Phedre (1677).
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