Dyer-Bennet's achievements were many. Nine years after his meeting with Scholander, he became the first solo performer of his kind to appear in Carnegie Hall. This book argues Dyer-Bennet helped pave the way for the folk boom of the mid-1950s and early 1960s, finding his influence in the work of Joan Baez, Judy Collins, and many others. It also posits strong evidence that Dyer-Bennet would certainly be much better known today had his career not been interrupted midstream by the anticommunist, Red-scare blacklist and its ban on his performances.
.Paul O. Jenkins is the director of library services at the College of Mount St. Joseph in Cincinnati, Ohio. He has published articles in Old-Time Herald and College and Research Libraries News. He received the New York Times Academic Librarian Award in 2006.