Back o' the Moon: Oliver Onions Collections
About this ebook
The first thing that the new parson noticed, as he rode up the narrow, precipitous street late in the October afternoon, was that the muffled knock-knocking that proceeded from the houses ceased as he ascended; and the next was that he had never in his life seen so many mongrel dogs as prowled and sniffed at his heels. He had left his grey galloway in Horwick Town, three miles back; he now saw the reason why they had laughed, and advised him that he might as well sell it there and then. Wadsworth Shelf had been steep; Wadsworth Street was precipitous; and at the head of the street rose Wadsworth Scout, dark and mountainous. The Scout was thinly wooded here and there with birch and mountain-ash. It overshadowed the village beneath it; and as the parson reached the small square at its foot he saw, over an irregular row of roofs, the squat belfry of the little church that was now his charge. A ramshackle inn, with a long horse-trough in front of it, occupied the lower side of the square.
As the knock-knocking ceased entirely, the parson became conscious that men and women had come softly out into the street behind him, and he knew without looking that behind every blind and shutter there was a pair of eyes. A raw-boned fellow lounged against the horse-trough of the inn, and he had taken off one of his wood-soled clogs and was peering into it as if for a stone. The parson had been warned that few in his new cure were known by their baptismal names, and had been told the name by which he must seek his own verger and bellringer. Approaching the fellow with the clog, he asked where he should find one Pim o’ Cuddy. The fellow jerked his head in the direction of the church under the dark Scout, and continued to peer into the clog. The dogs trailed after the parson as he crossed the square....
Chapter I..
Chapter II..
Chapter III..
Chapter IV..
Chapter V..
Chapter VI..
Chapter VII..
Chapter VIII..
Chapter IX..
Chapter X..
Chapter XI..
Chapter XII..
Chapter XIII..
Chapter XIV..
Chapter XV..
Chapter XVI..
Chapter XVII..
Ratings and reviews
About the author
Originally trained as a commercial artist, he worked as a designer of posters and books, and as a magazine illustrator during the Boer War. Encouraged by the American writer Gelett Burgess, Onions began writing fiction. The first editions of his novels were published with dust jackets bearing full-colour illustrations painted by Onions himself.
Poor Man's Tapestry (1946) and its prequel, Arras of Youth (1949) are about the adventures of a juggler, Robert Gandelyn, in the fourteenth century. Onions wrote two detective novels: A Case in Camera and In Accordance with the Evidence. Two of his works are science fiction novels:New Moon (1918) about a utopian Britain, and The Tower of Oblivion (1921), featuring a middle-aged man who recedes back to his youth. A Certain Man (1931), about a magical suit of clothes, and A Shilling to Spend (1965), about a self-perpetuating coin, are fantasy novels. Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. Another noted story from Widdershins is "Rooum", about an engineer pursued by a mysterious entity. "Phantas", "The Rosewood Door" and "The Rope in the Rafters" involve time shifts.
The title novella of The Painted Face (1929) is about a Greek girl who is the reincarnation of an ancient spirit; Ashley describes it as "one of the finest works in the genre". The collection also contains "The Master of the House", a story involving a werewolf and black magic.
A long supernatural novel is The Hand of Kornelius Voyt about an isolated boy who falls under the psychic influences of another.
Onions was awarded the James Tait Black Memorial Prize for his 1946 novel Poor Man's Tapestry.
