No Villain Need Be
2014. g. nov. · Hachette UK
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Par šo e-grāmatu
'My favourite American crime-writer' New York Herald Tribune
Famous LAPD husband and wife sleuths Sergeant Ivor and Detective Sue Maddox return again, this time juggling half a dozen investigations at once. Balancing solving the cases of an enterprising team of daytime burglars, a scandalous sex ring and suspicious-seeming fatal accidents, they are stretched to the limit when a grandmother and her two-year-old granddaughter are discovered murdered . . .
Famous LAPD husband and wife sleuths Sergeant Ivor and Detective Sue Maddox return again, this time juggling half a dozen investigations at once. Balancing solving the cases of an enterprising team of daytime burglars, a scandalous sex ring and suspicious-seeming fatal accidents, they are stretched to the limit when a grandmother and her two-year-old granddaughter are discovered murdered . . .
Par autoru
In her 67 years, California author Elizabeth Linington wrote 82 crime fiction novels, under her own name as well as the aliases Anne Blaisdell, Lesley Egan, Egan O'Neill and Dell Shannon. Her writing evolved from the early radio and stage dramas, via historical narratives, to her most celebrated novels - mysteries. She was nominated for Edgars in 1961, 1962 and 1963 for Case Pending, Nightmare and Knave of Hearts respectively. Her most successful creation, debonair LAPD Lieutenant Luis Mendoza, broke new ground in being one of the first Latino police officers in the procedural genre, and Linington herself was a pioneer in a male-dominated industry, earning the moniker 'Queen of the Procedurals'.
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