"Testaments Betrayed is to be savored paragraph by paragraph. . . . It must be purchased, read, pondered, and argued within the margins. And frequently reread." — Washington Post
A brilliant and thought-provoking essay from one of the twentieth century’s masters of fiction, Testaments Betrayed is written like a novel: the same characters appear and reappear throughout the nine parts of the book, as do the principal themes that preoccupy the author. Kundera is a passionate defender of the moral rights of the artist and the respect due a work of art and its creator’s wishes. The betrayal of both—often by their most passionate proponents—is one of the key ideas that informs this strikingly original and elegant book.
The Franco-Czech novelist Milan Kundera (1929–2023) was born in Brno and lived in France, his second homeland, since 1975 until his death. He is the author of the novels The Joke, Life Is Elsewhere, Farewell Waltz, The Book of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves—all originally in Czech. His more recent novels, Slowness, Identity, Ignorance, and The Festival of Insignificance, as well as his nonfiction works, The Art of the Novel, Testaments Betrayed, The Curtain, and Encounter, were originally written in French.