The book traces the development of a distinctive Canadian acting style, the soaring costs of production and design, the conflict between artists and moneymen, the external image promoted by publicists or imposed by critics and the changing mandate as the Festival assumes an increasingly populist character.
This is a celebration of a uniquely successful artistic enterprise, and focuses on some of the Festival’s finest productions. Illustrated with photographs from the Festival archives.
Martin Hunter has been a child actor, boy diplomat, university teacher, and arts journalist. His first passion is theatre, where he has worked as an actor, director, writer, and producer. Former artistic director of Hart House Theatre, Hunter has written several plays and CBC Radio dramas and documentaries. He is president of the KM Hunter Charitable Foundation.