Invincible Iron Man: Unfixable
set 2011 · Invincible Iron Man Vol. 8, Num. 1 - 503 · Marvel Entertainment
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Why should Tony Stark be the one to benefit from all of his technology? What right does Stark have to keep his miracles to himself? A familiar threat in other corners of the Marvel Universe comes demanding answers - and salvation - from Iron Man. And because it's not enough to remake the world with free and limitless energy, Stark Resilient takes on the challenge of remaking another world: Asgard! Plus: Witness Rescue in action, as Pepper Potts lets loose with her bleeding-edge suit and astonishing power! And Iron Man and Thor find themselves facing an enemy unlike any they've fought before! Collecting INVINCIBLE IRON MAN #501-502, FREE COMIC BOOK DAY 2010: IRON MAN/THOR, RESCUE #1 and material from INVINCIBLE IRON MAN #503.
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3,7
275 recensioni
Informazioni sull'autore
Matt Fraction started creating comics with the smaller publishers, like AiT/Planet Lar and IDW Publishing. He is also known for his work on The Five Fists of Science and Casanova, as well as a number of series for Marvel Comics. Fraction is currently working on Marvel's Uncanny X-Men, Thor and Invincible Iron Man, the latter of which led to his consulting work on the set of the film Iron Man 2.
Salvador Larroca worked as a cartographer for several for several years, after which he began working as a comic artist. Larroca began to work on mainstream comics, such as DC Comics Flash. Afterwards, Larroca did a three year run on Marvel Comics' Ghost Rider, during the mid 1990s. It was not until after his run on Ghost Rider, that Larroca would gain the exposure needed to become known as one of the most prominent comic book artists in The United States.
Salvador Larroca worked as a cartographer for several for several years, after which he began working as a comic artist. Larroca began to work on mainstream comics, such as DC Comics Flash. Afterwards, Larroca did a three year run on Marvel Comics' Ghost Rider, during the mid 1990s. It was not until after his run on Ghost Rider, that Larroca would gain the exposure needed to become known as one of the most prominent comic book artists in The United States.
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