Intoxication
Ara 2015 · Fordham Univ Press
E-kitap
72
Sayfa
reportPuanlar ve yorumlar doğrulanmaz Daha Fazla Bilgi
Bu e-kitap hakkında
From Plato’s Symposium to Hegel’s truth as a “Bacchanalian revel,” from the Bacchae of Euripedes to Nietzsche, philosophy holds a deeply ambivalent relation to the pleasures of intoxication. At the same time, from Baudelaire to Lowry, from Proust to Dostoyevsky, literature and poetry are also haunted by scenes of intoxication, as if philosophy and literature share a theme that announces and navigates their proximities and differences.
For Nancy, intoxication constitutes an excess that both fascinates and questions philosophy’s sober ambitions for appropriate forms of philosophical behavior and conceptual lucidity. At the same time, intoxication displaces a number of established dualities—reason and passion, mind and body, rationality and desire, rigor and excess, clarity and confusion, logic and eros.
Taking its point of departure from Baudelaire’s categorical imperative to understand modernity—“be drunk always”—Nancy’s little book is composed in fragments, quotations, drunken asides, and inebriated repetitions. His contemporary “banquet” addresses a range of related themes, including the role of alcohol and intoxication in rituals, myths, divine sacrifice, and religious symbolism, all those toasts to the sacred “spirits” involving libations and different forms of speech and enunciation—to the gods, to modernity, to the Absolute. Affecting both mind and body, Nancy’s subject becomes intoxicated: Ego sum, ego existo ebrius—I am, I exist—drunk.
For Nancy, intoxication constitutes an excess that both fascinates and questions philosophy’s sober ambitions for appropriate forms of philosophical behavior and conceptual lucidity. At the same time, intoxication displaces a number of established dualities—reason and passion, mind and body, rationality and desire, rigor and excess, clarity and confusion, logic and eros.
Taking its point of departure from Baudelaire’s categorical imperative to understand modernity—“be drunk always”—Nancy’s little book is composed in fragments, quotations, drunken asides, and inebriated repetitions. His contemporary “banquet” addresses a range of related themes, including the role of alcohol and intoxication in rituals, myths, divine sacrifice, and religious symbolism, all those toasts to the sacred “spirits” involving libations and different forms of speech and enunciation—to the gods, to modernity, to the Absolute. Affecting both mind and body, Nancy’s subject becomes intoxicated: Ego sum, ego existo ebrius—I am, I exist—drunk.
Yazar hakkında
Jean-Luc Nancy (1940–2021) was Distinguished Professor of Philosophy at the Université de Strasbourg and one of the late twentieth and early twenty-first century’s foremost thinkers of politics, art, and the body. His wide-ranging thought runs through many books, including Being Singular Plural, The Ground of the Image, Corpus, The Disavowed Community, and Sexistence. His book The Intruder was adapted into an acclaimed film by Claire Denis.
Bu e-kitaba puan verin
Düşüncelerinizi bizimle paylaşın.
Okuma bilgileri
Akıllı telefonlar ve tabletler
Android ve iPad/iPhone için Google Play Kitaplar uygulamasını yükleyin. Bu uygulama, hesabınızla otomatik olarak senkronize olur ve nerede olursanız olun çevrimiçi veya çevrimdışı olarak okumanıza olanak sağlar.
Dizüstü bilgisayarlar ve masaüstü bilgisayarlar
Bilgisayarınızın web tarayıcısını kullanarak Google Play'de satın alınan sesli kitapları dinleyebilirsiniz.
e-Okuyucular ve diğer cihazlar
Kobo eReader gibi e-mürekkep cihazlarında okumak için dosyayı indirip cihazınıza aktarmanız gerekir. Dosyaları desteklenen e-kitap okuyuculara aktarmak için lütfen ayrıntılı Yardım Merkezi talimatlarını uygulayın.
