Inside Bitch
mar 2019 · Bloomsbury Publishing
Libro electrónico
112
Páginas
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Acerca de este libro electrónico
Working collaboratively with Deborah Pearson and Stacey Gregg, four Clean Break members, who are artists with prison experience, created Inside Bitch.
This show challenges societal perceptions by challenging the stories we tell through television, the media, and to ourselves. Inside Bitch questions what is lost when we try to tell a story.
This show challenges societal perceptions by challenging the stories we tell through television, the media, and to ourselves. Inside Bitch questions what is lost when we try to tell a story.
Acerca del autor
Clean Break are a women's Theatre Company changing lives and changing minds – on stage, in prison and in the community.
Deborah Pearson is a writer, performer and producer. Innovation is central to her work, as is an interest in intimacy and narrative. She makes and tours solo pieces but also works collaboratively, frequently as a dramaturg for companies including Paper Cinema and Action Hero. In 2007 she founded the multi-award-winning organisation Forest Fringe, of which she is a co-director with Ira Brand and Andy Field. Deborah is also an associate artist with Volcano Productions in Canada. She is currently researching a practice-based PhD at Royal Holloway, focusing on the nature of narrative in contemporary performance.
Stacey Gregg's credits include: Lights Out (The Site Programme); Nod If You Can Hear Me (The Big Idea) for the Royal Court, Scorch (Prime Cut); Choices (Royal Exchange, Manchester/WoW Festival, Southbank/ Dublin Fringe/Outburst); Override (Watford Palace/Dublin Fringe); Shibboleth, Perve (Abbey, Dublin). Television includes: The Innocents, Riviera, The Frankenstein Chronicles, Your Ma's a Hard Brexit. As Performer: Everything Between Us (Project Arts Centre); Moth (Hightide, the Bush).
Deborah Pearson is a writer, performer and producer. Innovation is central to her work, as is an interest in intimacy and narrative. She makes and tours solo pieces but also works collaboratively, frequently as a dramaturg for companies including Paper Cinema and Action Hero. In 2007 she founded the multi-award-winning organisation Forest Fringe, of which she is a co-director with Ira Brand and Andy Field. Deborah is also an associate artist with Volcano Productions in Canada. She is currently researching a practice-based PhD at Royal Holloway, focusing on the nature of narrative in contemporary performance.
Stacey Gregg's credits include: Lights Out (The Site Programme); Nod If You Can Hear Me (The Big Idea) for the Royal Court, Scorch (Prime Cut); Choices (Royal Exchange, Manchester/WoW Festival, Southbank/ Dublin Fringe/Outburst); Override (Watford Palace/Dublin Fringe); Shibboleth, Perve (Abbey, Dublin). Television includes: The Innocents, Riviera, The Frankenstein Chronicles, Your Ma's a Hard Brexit. As Performer: Everything Between Us (Project Arts Centre); Moth (Hightide, the Bush).
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