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In Her Feminine Sign follows on the heels of Dunya Mikhail's devastating account of Daesh kidnappings and killings of Yazidi women in Iraq, The Beekeeper. It is the first book she has written in both Arabic and English, a process she talks about in her preface, saying "The poet is at home in both texts, yet she remains a stranger." With a subtle simplicity and disquieting humor reminiscent of Wislawa Szymborska and an unadorned lyricism wholly her own, Mikhail shifts between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, between a game of chess and a flamingo. At the heart of the book is the symbol of the tied circle, the Arabic suffix taa-marbuta—a circle with two dots above it that determines a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, three kidnapped women, and a hymn to Nisaba, the goddess of writing. A section of "Iraqi haiku" unfolds like Sumerian symbols carved onto clay tablets, transmuted into the stuff of our ordinary, daily life. In another poem, Mikhail defines the Sumerian word for freedom, Ama-ar-gi, as "what seeps out / from the dead into our dreams."
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Dunya Mikhail is an Iraqi American poet and writer. She is the author of the poetry collections The War Works Hard (shortlisted for the International Griffin Poetry Prize), Diary of a Wave Outside the Sea (winner of the Arab American Book Award), The Iraqi Nights (winner of the Poetry Magazine Translation Award), and In Her Feminine Sign (chosen as one of the ten best poetry books of 2019 by The New York Public Library). Her nonfiction book The Beekeeper was a finalist for the National Book Award, and her debut novel, The Bird Tattoo, was shortlisted for the International Prize for Arabic Fiction. Mikhail won the UNESCO Sharjah Prize for Arab Culture and the UN Human Rights Award for Freedom of Writing.
