House of Meetings
2013. g. jūl. · Random House
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Par šo e-grāmatu
‘The best thing Martin Amis has done in fiction for years’ Literary Review
There were conjugal visits in the slave camps of the USSR. Valiant women would travel continental distances, over weeks and months, in the hope of spending a night, with their particular enemy of the people, in the House of Meetings. The consequences of these liaisons were almost invariably tragic.
House of Meetings is about one such liaison. It is a triangular romance: two brothers fall in love with the same girl, a nineteen-year-old Jewess, in Moscow, which is poised for pogrom in the gap between the war and the death of Stalin. Both brothers are arrested, and their rivalry slowly complicates itself over a decade in the slave camp above the Arctic Circle.
‘It is difficult not to be impressed by this compact tour de force’ Observer
There were conjugal visits in the slave camps of the USSR. Valiant women would travel continental distances, over weeks and months, in the hope of spending a night, with their particular enemy of the people, in the House of Meetings. The consequences of these liaisons were almost invariably tragic.
House of Meetings is about one such liaison. It is a triangular romance: two brothers fall in love with the same girl, a nineteen-year-old Jewess, in Moscow, which is poised for pogrom in the gap between the war and the death of Stalin. Both brothers are arrested, and their rivalry slowly complicates itself over a decade in the slave camp above the Arctic Circle.
‘It is difficult not to be impressed by this compact tour de force’ Observer
Par autoru
Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century – in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience – he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.
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