Heroes of Greek Mythology

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The inspiring adventures and stirring deeds of three of the greatest heroes of mythology spring to vivid life in these pages. Charles Kingsley, author of The Water-Babies and one of the Victorian age's most brilliant storytellers, recounts for young readers the legendary feats of Perseus, Jason, and Theseus.
Rash and angry in his vow to slay Medusa the Gorgon, Perseus is cunning and patient in his quest. With the help of Athené's shield and Hermes' winged sandals, he faces the creature with writhing snakes for hair and rescues a princess chained to a rock. Fifty brave men known as the Argonauts join Jason in a treacherous journey across stormy, monster-infested seas in the search for the golden fleece of a magical ram. And Theseus sails off to Crete aboard a black-sailed ship with seven maidens and seven youths, all of them intended as sacrifices to the Minotaur—a fiend with the body of a man, the head of a bull, and the deadly teeth of a lion.
"There are no fairy tales like these old Greek ones," Kingsley notes, "for beauty, and wisdom, and truth, and for making children love noble deeds . . . for each of us has a Golden Fleece to seek, and a wild sea to sail over ere we reach it, and dragons to fight ere it be ours." This edition of his retellings of the immortal tales features sixty imaginative illustrations.

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Charles Kingsley, a clergyman of the Church of England, who late in his life held the chair of history at Cambridge University, wrote mostly didactic historical romances. He put the historical novel to new use, not to teach history, but to illustrate some religious truth. Westward Ho! (1855), his best-known work, is a tale of the Spanish main in the days of Queen Elizabeth I. Hypatia: New Foes with Old Faces (1853) is the story of a pagan girl-philosopher who was torn to pieces by a Christian mob. The story is strongly anti-Roman Catholic.. Hereward the Wake, or The Watchful Hereward the Wake, or The Watchful (1866) is a tale of a Saxon outlaw. The Water-Babies (1863), written for Kingsley's youngest child, "would be a tale for children were it not for the satire directed at the parents of the period," said Andrew Lang. Alton Locke (1850) and Yeast (1851) reflect Kingsley's leadership in "muscular Christianity" and his dramatization of social issues.

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