Go Home, Stranger

· Open Road Media
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DIVAn engineer battles a small town to see his sister released from prison/divDIV
It takes Reno three days to get from Peru to the Gulf Coast, and when he gets to Waynesport he has only one stop to make: the city jail, where his sister is being held on a murder rap. The way Vickie tells it, she saw her husband having a drink with another woman, they quarreled, and she went to the bathroom. When she came out, he was shot through the back of the skull. The police believe every word of her story—except the part about who pulled the trigger./divDIV /divDIVHer husband was in Waynesport looking for a crook named Rupert Conway, whom the local police do not seem towant found. To save his sister’s neck, Reno must wade through corruption as fetid as the swamps that surround this hellish southern town, where the alligators aren’t the only ones who are eager to kill./div

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DIVCharles Williams (1909–1975) was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years before leaving to work in the electronics industry. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime./divDIV /divWilliams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay. Williams died in California in 1975. 

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