Masters of Space: Science Fiction Stories

· Science Fiction Stories Book 18 · 谷月社
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Perseus snapped out of overdrive near the point of interest and Hilton stared, motionless and silent.

Space was full of madly warring ships. Half of them were bare, giant skeletons of steel, like the "derelict" that had so unexpectedly blasted away from them. The others were more or less like the

Perseus, except in being bigger, faster and of vastly greater power.

Beams of starkly incredible power bit at and clung to equally capable defensive screens of pure force. As these inconceivable forces met, the glare of their neutralization filled all nearby space. And ships and skeletons alike were disappearing in chunks, blobs, gouts, streamers and sparkles of rended, fused and vaporized metal.

Hilton watched two ships combine against one skeleton. Dozens of beams, incredibly tight and hard, were held inexorably upon dozens of the bulges of the skeleton. Overloaded, the bulges' screens flared through the spectrum and failed. And bare metal, however refractory, endures only for instants under the appalling intensity of such beams as those.

The skeletons tried to duplicate the ships' method of attack, but failed. They were too slow. Not slow, exactly, either, but hesitant; as though it required whole seconds for the commander—or operator? Or remote controller?—of each skeleton to make it act. The ships were winning.

"Hey!" Hilton yelped. "Oh—that's the one we saw back there. But what in all space does it think it's doing?"

It was plunging at tremendous speed straight through the immense fleet of embattled skeletons. It did not fire a beam nor energize a screen; it merely plunged along as though on a plotted course until it collided with one of the skeletons of the fleet and both structures plunged, a tangled mass of wreckage, to the ground of the planet below.

Then hundreds of the ships shot forward, each to plunge into and explode inside one of the skeletons. When visibility was restored another wave of ships came forward to repeat the performance, but there was nothing left to fight. Every surviving skeleton had blinked out of normal space.

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About the author

Edward Elmer Smith PhD (also E. E. Smith, E. E. "Doc" Smith, Doc Smith, "Skylark" Smith, or—to his family—Ted) (May 2, 1890 – August 31, 1965) was an American food engineer (specializing in doughnut and pastry mixes) and early science fiction author, best known for the Lensman and Skylark series. He is sometimes called the father of space opera.

In 1919 Smith was hired as chief chemist for F. W. Stock & Sons of Hillsdale, Michigan, at one time the largest family-owned mill east of the Mississippi, working on doughnut mixes.

One evening late in 1919, after moving to Michigan, Smith was baby-sitting (presumably for Roderick) while his wife attended a movie; he resumed work on The Skylark of Space, finishing it in the spring of 1920. He submitted it to many book publishers and magazines, spending more in postage than he would eventually receive for its publication. Bob Davis, editor of Argosy, sent an encouraging rejection letter in 1922, saying that he liked the novel personally, but that it was too far out for his readers.(According to Warner, but no other source, Smith began work on the sequel, Skylark III, before the first book was accepted.) Finally, upon seeing the April 1927 issue of Amazing Stories, he submitted it to that magazine; it was accepted, initially for $75, later raised to $125. It was published as a three-part serial in the August to October 1928 issues and it was such a success that managing editor Sloane requested a sequel before the second installment had been published.

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