Dr. Faustus
März 2012 · Courier Corporation
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31 Rezensionenreport
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One of the most durable myths in Western culture, the story of Faust tells of a learned German doctor who sells his soul to the devil in exchange for knowledge and power. Early enactments of Faust's damnation were often the raffish fare of clowns and low comedians. But the young Elizabethan playwright Christopher Marlowe (1564–1593) recognized in the story of Faust's temptation and fall the elements of tragedy.
In his epic treatment of the Faust legend, Marlowe retains much of the rich phantasmagoria of its origins. There are florid visions of an enraged Lucifer, dueling angels, the Seven Deadly Sins, Faustus tormenting the Pope, and his summoning of the spirit of Alexander the Great. But the playwright created equally powerful scenes that invest the work with tragic dignity, among them the doomed man's calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
With immense poetic skill, and psychological insight that foreshadowed the later work of Shakespeare and the Jacobean playwrights, Marlowe created in Dr. Faustus one of the first true tragedies in English. Vividly dramatic, rich in poetic grandeur, this classic play remains a robust and lively exemplar of the glories of Elizabethan drama.
In his epic treatment of the Faust legend, Marlowe retains much of the rich phantasmagoria of its origins. There are florid visions of an enraged Lucifer, dueling angels, the Seven Deadly Sins, Faustus tormenting the Pope, and his summoning of the spirit of Alexander the Great. But the playwright created equally powerful scenes that invest the work with tragic dignity, among them the doomed man's calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
With immense poetic skill, and psychological insight that foreshadowed the later work of Shakespeare and the Jacobean playwrights, Marlowe created in Dr. Faustus one of the first true tragedies in English. Vividly dramatic, rich in poetic grandeur, this classic play remains a robust and lively exemplar of the glories of Elizabethan drama.
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Autoren-Profil
Christopher Marlowe was born in Canterbury, England on February 6, 1564. He received a B.A. in 1584 and an M.A. in 1587 from Corpus Christi College, Cambridge. His original plans for a religious career were put aside when he decided to become a poet and playwright. His earliest work was translating Lucan and Ovid from Latin into English. He translated Vergil's Aeneid as a play. His plays included Tamburlaine the Great, Faustus, The Jew of Malta, and Dido, Queen of Carthage. His unfinished poem Hero and Leander was published in 1598. In 1589, he and a friend killed a man, but were acquitted on a plea of self-defense. His political views were unorthodox, and he was thought to be a government secret agent. He was arrested in May 1593 on a charge of atheism. He was killed in a brawl in a Deptford tavern on May 30, 1593.
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