Deadline Rome: The Vatican Kylix
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With a background in archeology, Clare is also covering the announced purchase by the Vatican’s Etruscan Museum of a valuable antique Greek wine cup – a kylix - painted by the world famous Euphronius. A major exhibit has been planned. The purchase turns out to have been engineered by an unscrupulous Argentinian archbishop and a greedy French diplomat, and Clare – with Daniel’s help - uses her contacts to dig deeper. She gets advice from fellow journalists, including Luca, an Italian investigative reporter with whom she’d had a brief passionate fling, works closely with several of Italy’s top investigating magistrates. But her determination to make a name for herself leads her repeatedly to strike out on her own.
Gradually several things become clear. First, that the purchase may have been made with “dirty money”, and second, that a avaricious Christian Democratic politician and his henchmen may also be involved in the kidnapping. Then, once the identity of the kidnapping victim becomes known, that the two events are inextricably linked.
Clare’s ambition puts her at risk on more than one occasion. The kylix will leave a bloody trail and the story, spun out against its Roman background, highlights the life of a dynamic foreign journalist in Italy.
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In love with Italy from a young age, Sari Gilbert has been living in Rome since the 1970’s. As a foreign correspondent, Gilbert wrote for a number of American and Canadian publications, including Newsweek and the Washington Post, covering everything except soccer matches and fashion shows. Subsequently she worked, in Italian, for the short-lived daily L’Indipendente and then for the prestigious Italian daily, Il Sole 24 Ore. She now writes for pleasure and edits for a living.
