A Christmas Carol

· Courier Corporation
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Ukadiriaji na maoni hayajahakikishwa  Pata Maelezo Zaidi

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Rich in the imagery of nineteenth-century England, this literary classic celebrates a return to old-fashioned Christmas festivities while examining the crisis in one man's personal life. One of the most famous characters in literary history, Ebenezer Scrooge is the "grasping old sinner" who finds redemption after witnessing scenes from his life in which his greed, self-interest, and lack of compassion are revealed.
Complementing the master storyteller's wise and witty prose are the timeless illustrations of Arthur Rackham, whose evocative artwork finds humor in Scrooge's miserly ways, depicting him as a cranky humbug who eventually relents and joins the merrymaking. Continuously in print since it was first published in 1843, Dickens's immortal tale is still relevant today, sending a message that cuts through the materialistic trappings of the holiday season and gets to its heart and soul. This illustrated edition stands as one of the most beautiful available.

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After a childhood blighted by poverty, commercial success came early to Charles Dickens (1812-70). By the age of 24, he was an international sensation whose new novels were eagerly anticipated. Two centuries later, Dickens' popularity endures as readers revel in the warm humanity and rollicking humor of his tales of self-discovery. Arthur Rackham was born in London, England. At the age of 18, he worked as a clerk at the Westminster Fire Office and began studying part-time at the Lambeth School of Art. In 1892 he left his job and started working for The Westminster Budget as a reporter and illustrator. His first book illustrations were published in 1893 in To the Other Side by Thomas Rhodes, but his first serious commission was in 1894 for The Dolly Dialogues, the collected sketches of Anthony Hope, who later went on to write The Prisoner of Zenda. Book illustrating then became Rackham's career for the rest of his life. Rackham invented his own unique technique which resembled photographic reproduction; he would first sketch an outline of his drawing, then lightly block in shapes and details. Afterwards he would add lines in pen and India ink, removing the pencil traces after it had dried. With color pictures, he would then apply multiple washes of color until transparent tints were created. Arthur Rackham died in 1939 of cancer in his home in Limpsfield, Surrey.

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