The Women’s Orchestra of Auschwitz: A Story of Survival
Anne Sebba
Mar 2025 · Weidenfeld & Nicolson · Narrated by Helen Stern
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infoThis book will become available on March 27, 2025. You will not be charged until it is released.
About this audiobook
'Superb and timely' KATE MOSSE
'Impressive, important, deeply moving' SARAH WATERS
'Brilliant' ANTHONY HOROWITZ
What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends?
In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives. In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.
'Impressive, important, deeply moving' SARAH WATERS
'Brilliant' ANTHONY HOROWITZ
What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends?
In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives. In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.
About the author
Anne Sebba is a historian and one of Britain's most distinguished biographers. She has written eleven works of non-fiction, mostly about iconic twentieth-century women, which have been translated into several languages including French, Polish, Czech, Japanese and Chinese. She makes regular television and radio appearances and has presented two BBC radio documentaries about musicians. Anne is a Fellow of the Royal Society of Literature, Senior Research Fellow at the Institute of Historical Research and trustee of the National Archives Trust. She lives in London.
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