The Years

· Dreamscape Media · Anna Bentinck āŠĶāŦāŠĩāŠūāŠ°āŠū āŠĩāŠ°āŦāŠĢāŠĻ āŠ•āŠ°āŦ‡āŠē
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āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ•
8 āŠ•āŠēāŠūāŠ• 11 āŠŪāŠŋāŠĻāŠŋāŠŸ
āŠĩāŠŋāŠļāŦāŠĪāŦƒāŠĪ
āŠŠāŠūāŠĪāŦāŠ°
āŠ°āŦ‡āŠŸāŠŋāŠ‚āŠ— āŠ…āŠĻāŦ‡ āŠ°āŠŋāŠĩāŦāŠŊāŦ‚ āŠšāŠ•āŠūāŠļāŦ‡āŠēāŠū āŠĻāŠĨāŦ€Â āŠĩāŠ§āŦ āŠœāŠūāŠĢāŦ‹
11 āŠŪāŠŋāŠĻāŠŋāŠŸāŠĻāŦ‹ āŠĻāŠŪāŦ‚āŠĻāŦ‹ āŠœāŦ‹āŠˆāŠ āŠ›āŦ‡? āŠ‘āŠŦāŠēāŠūāŠ‡āŠĻ āŠđāŦ‹, āŠĪāŦāŠŊāŠūāŠ°āŦ‡ āŠŠāŠĢ āŠ—āŠŪāŦ‡ āŠĪāŦāŠŊāŠūāŠ°āŦ‡ āŠļāŠūāŠ‚āŠ­āŠģāŦ‹. 
āŠ‰āŠŪāŦ‡āŠ°āŦ‹

āŠ† āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ• āŠĩāŠŋāŠķāŦ‡

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present—even projections into the future—photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective. On its 2008 publication in France, The Years came as a surprise. Although Ernaux had, for years, been hailed as a beloved bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir written by entire generations and a story of generations telling a very personal story.

āŠ°āŦ‡āŠŸāŠŋāŠ‚āŠ— āŠ…āŠĻāŦ‡ āŠ°āŠŋāŠĩāŦāŠŊāŦ‚

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āŠ† āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ•āŠĻāŦ‡ āŠ°āŦ‡āŠŸāŠŋāŠ‚āŠ— āŠ†āŠŠāŦ‹

āŠĪāŠŪāŦ‡ āŠķāŦāŠ‚ āŠĩāŠŋāŠšāŠūāŠ°āŦ‹ āŠ›āŦ‹ āŠ…āŠŪāŠĻāŦ‡ āŠœāŠĢāŠūāŠĩāŦ‹.

āŠļāŠūāŠ‚āŠ­āŠģāŠĩāŠū āŠĩāŠŋāŠķāŦ‡āŠĻāŦ€ āŠŪāŠūāŠđāŠŋāŠĪāŦ€

āŠļāŦāŠŪāŠūāŠ°āŦāŠŸāŠŦāŦ‹āŠĻ āŠ…āŠĻāŦ‡ āŠŸāŦ…āŠŽāŦāŠēāŦ‡āŠŸ
Android āŠ…āŠĻāŦ‡ iPad/iPhone āŠŪāŠūāŠŸāŦ‡ Google Play Books āŠāŠŠ āŠ‡āŠĻāŦāŠļāŦāŠŸāŦ‰āŠē āŠ•āŠ°āŦ‹. āŠĪāŦ‡ āŠĪāŠŪāŠūāŠ°āŠū āŠāŠ•āŠūāŠ‰āŠĻāŦāŠŸ āŠļāŠūāŠĨāŦ‡ āŠ‘āŠŸāŦ‹āŠŪāŦ…āŠŸāŠŋāŠ• āŠ°āŦ€āŠĪāŦ‡ āŠļāŠŋāŠ‚āŠ• āŠĨāŠūāŠŊ āŠ›āŦ‡ āŠ…āŠĻāŦ‡ āŠĪāŠŪāŠĻāŦ‡ āŠœāŦāŠŊāŠūāŠ‚ āŠŠāŠĢ āŠđāŦ‹ āŠĪāŦāŠŊāŠūāŠ‚ āŠĪāŠŪāŠĻāŦ‡ āŠ‘āŠĻāŠēāŠūāŠ‡āŠĻ āŠ…āŠĨāŠĩāŠū āŠ‘āŠŦāŠēāŠūāŠ‡āŠĻ āŠĩāŠūāŠ‚āŠšāŠĩāŠūāŠĻāŦ€ āŠŪāŠ‚āŠœāŦ‚āŠ°āŦ€ āŠ†āŠŠāŦ‡ āŠ›āŦ‡.
āŠēāŦ…āŠŠāŠŸāŦ‰āŠŠ āŠ…āŠĻāŦ‡ āŠ•āŠŪāŦāŠŠāŦāŠŊāŦāŠŸāŠ°
āŠĪāŠŪāŦ‡ āŠĪāŠŪāŠūāŠ° āŠ•āŠŪāŦāŠŠāŦāŠŊāŦāŠŸāŠ°āŠĻāŠū āŠĩāŦ‡āŠŽ āŠŽāŦāŠ°āŠūāŠ‰āŠāŠ°āŠĻāŦ‹ āŠ‰āŠŠāŠŊāŦ‹āŠ— āŠ•āŠ°āŦ€āŠĻāŦ‡ Google Play āŠŠāŠ° āŠ–āŠ°āŦ€āŠĶāŦ‡āŠēāŦ€ āŠŠāŦāŠļāŦāŠĪāŠ•āŦ‹āŠĻāŦ‡ āŠĩāŠūāŠ‚āŠšāŦ€ āŠķāŠ•āŦ‹ āŠ›āŦ‹.

Annie Ernaux āŠĶāŦāŠĩāŠūāŠ°āŠū āŠĩāŠ§āŦ

āŠļāŠŪāŠūāŠĻ āŠ‘āŠĄāŠŋāŠ“āŠŽāŦāŠ•

āŠĩāŠ°āŦāŠĢāŠĻāŠ•āŠ°āŦāŠĪāŠū Anna Bentinck