The White Guard

· Naxos of America, Inc. · āļšāļĢāļĢāļĒāļēāļĒāđ‚āļ”āļĒ Nicholas Boulton
āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡
11 āļŠāļĄ. 20 āļ™āļēāļ—āļĩ
āļ‰āļšāļąāļšāļŠāļĄāļšāļđāļĢāļ“āđŒ
āļ„āļ°āđāļ™āļ™āđāļĨāļ°āļĢāļĩāļ§āļīāļ§āđ„āļĄāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļĒāļ·āļ™āļĒāļąāļ™  āļ”āļđāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ
āļŸāļąāļ‡āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļĢāļ°āļĒāļ°āđ€āļ§āļĨāļē 5 āļ™āļēāļ—āļĩ āđ„āļ”āđ‰āļ—āļļāļāđ€āļĄāļ·āđˆāļ­āđāļĄāđ‰āļ‚āļ“āļ°āļ­āļ­āļŸāđ„āļĨāļ™āđŒÂ 
āđ€āļžāļīāđˆāļĄ

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āđ€āļĨāđˆāļĄāļ™āļĩāđ‰

In the Ukrainian capital Kiev (‘the City’), life has become frightening and fragile. Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918–19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level, as those caught in the middle of circumstances beyond their control try to ground themselves. Suffering, tragedy and savagery are set out unflinchingly, but the bleakness is offset by a recognition of the resilience of the human spirit, and of the qualities of loyalty and principle – all embodied by the Turbin family. The novel begins and ends with a view of the night sky: beyond the chaos, beauty is still there to see.

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāļđāđ‰āđāļ•āđˆāļ‡

Nicholas Boulton graduated from The Guildhall School of Music and Drama, winning the BBC Carleton Hobbs Award for Radio. He has since featured in countless BBC radio dramas, narrated a plethora of award-winning audiobooks, and died a thousand deaths in various video games. Film, TV and theatre appearances include Shakespeare in Love, Game of Thrones and Wolf Hall (RSC).


āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ™āļĩāđ‰

āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āļ‚āļ­āļ‡āļ„āļļāļ“āđƒāļŦāđ‰āđ€āļĢāļēāļĢāļąāļšāļĢāļđāđ‰

āļ‚āđ‰āļ­āļĄāļđāļĨāļāļēāļĢāļŸāļąāļ‡

āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđāļĨāļ°āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ•
āļ•āļīāļ”āļ•āļąāđ‰āļ‡āđāļ­āļ› Google Play Books āļŠāļģāļŦāļĢāļąāļš Android āđāļĨāļ° iPad/iPhone āđāļ­āļ›āļˆāļ°āļ‹āļīāļ‡āļ„āđŒāđ‚āļ”āļĒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļīāļāļąāļšāļšāļąāļāļŠāļĩāļ‚āļ­āļ‡āļ„āļļāļ“ āđāļĨāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ„āļļāļ“āļ­āđˆāļēāļ™āđāļšāļšāļ­āļ­āļ™āđ„āļĨāļ™āđŒāļŦāļĢāļ·āļ­āļ­āļ­āļŸāđ„āļĨāļ™āđŒāđ„āļ”āđ‰āļ—āļļāļāļ—āļĩāđˆ
āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ›āđāļĨāļ°āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒ
āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļ­āđˆāļēāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ—āļĩāđˆāļ‹āļ·āđ‰āļ­āļˆāļēāļ Google Play āđ‚āļ”āļĒāđƒāļŠāđ‰āđ€āļ§āđ‡āļšāđ€āļšāļĢāļēāļ§āđŒāđ€āļ‹āļ­āļĢāđŒāļšāļ™āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒāļ‚āļ­āļ‡āļ„āļļāļ“

āļĢāļēāļĒāļāļēāļĢāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđ€āļ‚āļĩāļĒāļ™āđ‚āļ”āļĒ Mikhail Bulgakov

āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļāļąāļ™

āļšāļĢāļĢāļĒāļēāļĒāđ‚āļ”āļĒ Nicholas Boulton