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Sophie Dupont assists her father in his studio, keeping her own artwork out of sight. In private, she paints the picturesque north Devon coast, popular with artists—including handsome Wesley Overtree, who seems more interested in Sophie than the landscape.
Captain Stephen Overtree is accustomed to taking on his brother Wesley’s responsibilities. Near the end of his leave, he is sent to find his brother and bring him home. Upon reaching Devonshire, however, Stephen is stunned to learn Wesley has sailed for Italy and left his host’s daughter in serious trouble.
Stephen feels duty-bound to act, and strangely protective of the young lady, who somehow seems familiar. Wanting to make some recompense for his own past failings as well as his brother’s, Stephen proposes to Miss Dupont. He does not offer love, but marriage “in name only” to save her from scandal.
If he dies in battle, as he fears, she will at least be a respectable widow.
Desperate for a way to escape her predicament, Sophie finds herself torn between her first love and this brooding man she barely knows. Dare she wait for Wesley to return? Or should she elope with the captain and pray she doesn’t come to regret it?
Captain Stephen Overtree is accustomed to taking on his brother Wesley’s responsibilities. Near the end of his leave, he is sent to find his brother and bring him home. Upon reaching Devonshire, however, Stephen is stunned to learn Wesley has sailed for Italy and left his host’s daughter in serious trouble.
Stephen feels duty-bound to act, and strangely protective of the young lady, who somehow seems familiar. Wanting to make some recompense for his own past failings as well as his brother’s, Stephen proposes to Miss Dupont. He does not offer love, but marriage “in name only” to save her from scandal.
If he dies in battle, as he fears, she will at least be a respectable widow.
Desperate for a way to escape her predicament, Sophie finds herself torn between her first love and this brooding man she barely knows. Dare she wait for Wesley to return? Or should she elope with the captain and pray she doesn’t come to regret it?
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關於作者
Julie Klassen is a bestselling, award winning author. She graduated from the University of Illinois and worked in publishing for sixteen years in advertising and as a fiction editor. Klassen's books, The Girl in the Gatehouse and The Silent Governess won the Christy Award for Historical Romance. The Girl in the Gatehouse also won a Midwest Book Award and The Silent Governess was a finalist in Romance Writers of America's RITA awards. Julie is also the author of Lady of Milkweed Manor, which was a finalist for the Christy award, The Apothecary's Daughter, and The Maid of Fairbourne Hall.
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