The Bad Boy of Athens
Daniel Mendelsohn
āĻ
āĻā§āĻā§ ā§¨ā§Ļā§§ā§¯ ¡ W.F.Howes Ltd. ¡ Alister Austinā§° āĻĻā§āĻŦāĻžā§°āĻž āĻŦāĻ°ā§āĻŖāĻŋāĻ¤
headphones
āĻ
āĻĄāĻŋāĻ
'āĻŦā§āĻ
13 āĻāĻŖā§āĻāĻž 16 āĻŽāĻŋāĻ¨āĻŋāĻ
āĻ¸āĻŽā§āĻĒā§ā§°ā§āĻŖ
family_home
āĻ¯ā§āĻā§āĻ¯
info
reportāĻŽā§āĻ˛ā§āĻ¯āĻžāĻāĻāĻ¨ āĻā§°ā§ āĻĒā§°ā§āĻ¯āĻžāĻ˛ā§āĻāĻ¨āĻž āĻ¸āĻ¤ā§āĻ¯āĻžāĻĒāĻ¨ āĻā§°āĻž āĻšā§ā§ąāĻž āĻ¨āĻžāĻ  āĻ
āĻ§āĻŋāĻ āĻāĻžāĻ¨āĻ
āĻāĻāĻž 1 āĻāĻŖā§āĻāĻž 19 āĻŽāĻŋāĻ¨āĻŋāĻ āĻ¨āĻŽā§āĻ¨āĻž āĻ˛āĻžāĻā§ āĻ¨ā§āĻāĻŋ? āĻ¯āĻŋāĻā§āĻ¨ā§ āĻ¸āĻŽā§āĻ¤ā§ āĻļā§āĻ¨āĻ, āĻāĻ¨āĻāĻŋ āĻ
āĻĢāĻ˛āĻžāĻāĻ¨ āĻšā§ āĻĨāĻžāĻā§āĻāĻ¤ā§āĻāĨ¤Â
āĻ¯ā§āĻ āĻā§°āĻ
āĻāĻ āĻ āĻĄāĻŋāĻ âāĻŦā§āĻāĻāĻ¨ā§° āĻŦāĻŋāĻˇā§ā§
Over the past three decades, Daniel Mendelsohn's essays and reviews have earned him a reputation as âour most irresistible literary critic' (New York Times). This striking new collection exemplifies the way in which Mendelsohn â a classicist by training â uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer's epics to help explain the AI films Ex Machina and Her, and perceives how Ted Hughes sought redemption by translating a play of Euripides (the âbad boy of Athens') about a wayward husband whose wife returns from the dead. There are essays on Sappho's sexuality and the feminism of Game of Thrones; on how Virgil's Aeneid prefigures post-World War II history and why we are still obsessed with the Titanic; on Patrick Leigh Fermor's final journey, Karl Ove Knausgaard's autofiction and the plays of Tom Stoppard, Tennessee Williams, and NoÃĢl Coward. The collection ends with a poignant account of the author's boyhood correspondence with the historical novelist Mary Renault, which inspired his ambition to become a writer. In The Bad Boy of Athens, Mendelsohn provokes and dazzles with erudition, emotion and tart wit while his essays dance across eras, cultures and genres. This is a provocative collection which sees today's master of popular criticism using the ancient past to reach into the very heart of modern culture.
âMendelsohn takes the classical costumes off figures like Virgil and Sappho, Homer and Horace ... He writes about things so clearly they come to feel like some of the most important things you have ever been told.' SEBASTIAN BARRY
âMendelsohn takes the classical costumes off figures like Virgil and Sappho, Homer and Horace ... He writes about things so clearly they come to feel like some of the most important things you have ever been told.' SEBASTIAN BARRY
āĻāĻ āĻ āĻĄāĻŋāĻ âāĻŦā§āĻāĻāĻ¨ā§° āĻŽā§āĻ˛ā§āĻ¯āĻžāĻāĻāĻ¨ āĻā§°āĻ
āĻāĻŽāĻžāĻ āĻāĻĒā§āĻ¨āĻžā§° āĻŽāĻ¤āĻžāĻŽāĻ¤ āĻāĻ¨āĻžāĻāĻāĨ¤
āĻ āĻĄāĻŋāĻ 'āĻŦā§āĻ āĻļā§āĻ¨āĻžā§° āĻ¨āĻŋāĻ°ā§āĻĻā§āĻļāĻžā§ąāĻ˛ā§
āĻ¸ā§āĻŽāĻžā§°ā§āĻāĻĢâāĻ¨ āĻā§°ā§ āĻā§āĻŦāĻ˛ā§āĻ
Android āĻā§°ā§ iPad/iPhoneā§° āĻŦāĻžāĻŦā§ Google Play Books āĻāĻĒāĻā§ āĻāĻ¨āĻˇā§āĻāĻ˛ āĻā§°āĻāĨ¤ āĻ āĻ¸ā§āĻŦāĻ¯āĻŧāĻāĻā§āĻ°āĻŋāĻ¯āĻŧāĻāĻžā§ąā§ āĻāĻĒā§āĻ¨āĻžā§° āĻāĻāĻžāĻāĻŖā§āĻā§° āĻ¸ā§āĻ¤ā§ āĻāĻŋāĻāĻ āĻšāĻ¯āĻŧ āĻā§°ā§ āĻāĻĒā§āĻ¨āĻŋ āĻ¯'āĻ¤ā§ āĻ¨āĻžāĻĨāĻžāĻāĻ āĻ¤'āĻ¤ā§āĻ āĻā§āĻ¨ā§ āĻ
āĻĄāĻŋāĻ
'āĻŦā§āĻ āĻ
āĻ¨āĻ˛āĻžāĻāĻ¨ āĻŦāĻž āĻ
āĻĢāĻ˛āĻžāĻāĻ¨āĻ¤ āĻļā§āĻ¨āĻŋāĻŦāĻ˛ā§ āĻ¸ā§āĻŦāĻŋāĻ§āĻž āĻĻāĻŋāĻ¯āĻŧā§āĨ¤
āĻ˛ā§āĻĒāĻāĻĒ āĻā§°ā§ āĻāĻŽā§āĻĒāĻŋāĻāĻāĻžā§°
āĻāĻŽā§āĻĒāĻŋāĻāĻāĻžā§°ā§° ā§ąā§āĻŦ āĻŦā§āĻ°āĻžāĻāĻāĻžā§° āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āĻā§°āĻŋ āĻāĻĒā§āĻ¨āĻŋ Google PlayāĻ¤ āĻāĻŋāĻ¨āĻž āĻāĻŋāĻ¤āĻžāĻĒāĻ¸āĻŽā§āĻš āĻĒāĻĸāĻŧāĻŋāĻŦ āĻĒāĻžā§°ā§āĨ¤
