Heart of the Machine: Our Future in a World of Artificial Emotional Intelligence
Richard Yonck
Mar 2017 · Tantor Media Inc · Narrated by Robertson Dean
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Audiobook
10 hr 19 min
Unabridged
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About this audiobook
Imagine a robotic stuffed animal that can read and respond to a child's emotional state or a commercial that can change based on a customer's facial expression. Heart of the Machine explores the next giant step in the relationship between humans and technology: the ability of computers to recognize, respond to, and even replicate emotions. Computers have long been integral to our lives, and their advances continue at an exponential rate. Many believe that artificial intelligence equal or superior to human intelligence will happen in the not-too-distance future. Futurist Richard Yonck argues that emotion, the first, most basic, and most natural form of communication, is at the heart of how we will soon work with and use computers. Instilling emotions into computers is the next leap in our centuries-old obsession with creating machines that replicate humans. But for every benefit this progress may bring to our lives, there is a possible pitfall. Emotion recognition could lead to advanced surveillance, and the same technology that can manipulate our feelings could become a method of mass control. Heart of the Machine is an exploration of the new and inevitable ways in which mankind and technology will interact.
About the author
Richard Yonck is a futurist, author, and speaker with Intelligent Future Consulting based in Seattle. An award-winning author, he has written features and cover stories for numerous publications and websites, and is the computing and artificial intelligence contributing editor for the long-running Futurist magazine.
Robertson Dean has recorded hundreds of audiobooks in almost every genre. He's been nominated for several Audie Awards, won nine Earphones Awards, and was named one of AudioFile magazine's Best Voices of 2010. He lives in Los Angeles, where he records books and acts in film, TV, and (especially) on stage.
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