This masterful collection of seventeen classic mystery stories, dating from 1837 to 1914, traces the earliest history of popular detective fiction.
Today, the figure of Sherlock Holmes towers over detective fiction like a colossus―but it was not always so. Edgar Allan Poe’s French detective Dupin, the hero of “The Murders in the Rue Morgue,” preceded Holmes’s deductive reasoning by more than forty years with his “tales of ratiocination.” In A Study in Scarlet, the first of Holmes’ adventures, Doyle acknowledged his debt to Poe―and to Émile Gaboriau, whose thief-turned-detective Monsieur Lecoq debuted in France twenty years earlier.
If “Rue Morgue” was the first true detective story in English, the title of the first full-length detective novel is more hotly contested. Two books by Wilkie Collins―The Woman in White (1859) and The Moonstone (1868)―are often given that honor, with the latter showing many of the features that came to identify the genre: a locked-room murder in an English country house; bungling local detectives outmatched by a brilliant amateur detective; a large cast of suspects and a plethora of red herrings; and a final twist before the truth is revealed. Others point to Mary Elizabeth Braddon’s The Trail of the Serpent (1861) or Aurora Floyd (1862), and others still to The Notting Hill Mystery (1862–3) by the pseudonymous “Charles Felix.”
As the early years of detective fiction gave way to two separate golden ages―of hard-boiled tales in America and intricately-plotted, so-called “cozy” murders in Britain―the legacy of Sherlock Holmes, with his fierce devotion to science and logic, gave way to street smarts on the one hand and social insight on the other―but even though these new sub-genres went their own ways, their detectives still required the intelligence and clear-sightedness that characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured here.
Graeme Davis has been fascinated by horror fiction since his teens, devouring late-night reruns of the classic Universal and Hammer movies on his parents’ black-and-white TV and stripping local thrift-stores of horror titles. He began writing for tabletop role-playing games in the early 1980s, and among many other credits he helped develop Games Workshop’s blockbuster Warhammer dark-fantasy franchise and the 90s gothic hit Vampire: The Masquerade, as well as more than forty electronic games. This is his second anthology for Pegasus, following on from the 2017 collection Colonial Horrors. He lives in Lafayette, Colorado.
Leslie S. Klinger is one of the world’s foremost authorities on Sherlock Holmes. He is the editor of the three-volume set The New Annotated Sherlock Holmes. The first two volumes, The Complete Short Stories, won the Edgar for Best Critical/Biographical work. His New Annotated Frankenstein was nominated for a World Fantasy Award. Klinger is a member of the Baker Street Irregulars and lives in Malibu.
Paul Boehmer attended his first Shakespearean play while in high school; he knew then that he was destined to become the classically trained actor he is today. Graduating with a master's degree, Paul was cast as Hamlet by the very stage actor who inspired his career path. A nod from the Universe he'd chosen aright! Paul has worked on Broadway and extensively in regional theater. Coinciding with another of his passions, sci-fi, Paul has been cast in various roles in many episodes of Star Trek. Paul's love of literature and learning led him by nature to his work as a narrator for audiobooks, his latest endeavour. Paul is married to the love of his life, Offir, and they live in Los Angeles with their two midnight-rambling tomcats, Dread and David.
Maxwell Caulfield is a film, stage, and television actor best known for his roles as Michael Carrington in the 1982 film Grease 2 and Miles Colby in the television shows The Colbys and Dynasty. His other acting credits include the films Gettysburg, The Real Blonde, and Emmerdale. He has won six AudioFile Earphones Awards.
Gabrielle de Cuir is a Grammy-nominated and Audie Award-winning producer whose narration credits include the voice of Valentine in Orson Scott Card’s Ender novels, Ursula K. Le Guin’s The Tombs of Atuan, and Natalie Angier’s Woman, for which she was awarded AudioFile magazine’s Golden Earphones Award. She lives in Los Angeles where she also directs theatre and presently has several projects in various stages of development for film.
Alex Hyde-White is an actor and a producer of two films and hundreds of audiobooks thru his label Punch Audio.
British narrator John Lee has read audiobooks in almost every conceivable genre, from Charles Dickens to Patrick O'Brian, and from the very real life of Napoleon to the entirely imagined lives of sorcerers and swashbucklers. He has won numerous Audie Awards and AudioFile Earphones Awards, and he was named a Golden Voice by AudioFile in 2009. Lee is also an accomplished stage actor and wrote and coproduced the feature films Breathing Hard and Forfeit.
Jim Meskimen is a stage, film, and television actor who has appeared in many well-known movies and television shows. He acted in Apollo 13 and Frost/Nixon for director Ron Howard, both of which were nominated for Best Picture Oscars. His television appearances include The Fresh Prince of Bel Air, Friends, Lie to Me, Criminal Minds, and Parks and Recreation. He is also a painter, award-winning audiobook narrator, and audiobook director for Galaxy Audio.
Kevin Baker is the author of one previous novel, Sometimes You See It Coming, and served as chief historical researcher for the recently published The American Century by Harold Evans. He is married and lives in New York City.John Rubenstein won a Theater World Award, a Tony, and a Drama Desk Award for his performances in Pippin and Children of a Lesser God.
Stefan Rudnicki is a Grammy-winning audiobook producer and an award-winning narrator who has won several Audie Awards and been named one of AudioFile’s Golden Voices. A longtime fan of Weird fiction, and of Robert W. Chambers in particular, Stefan’s dramatic adaptation of The King in Yellow received the Madolin Cervantes Award from the Society of Stage Directors & Choreographers and was staged by him at the Donnell Library Center in New York City.
Arthur Morey has won three AudioFile Magazine “Best Of” Awards, and his work has garnered numerous AudioFile Earphones Awards and placed him as a finalist for two Audie Awards. He has acted in a number of productions, both off Broadway in New York and off Loop in Chicago. He graduated from Harvard and did graduate work at the University of Chicago. He has won awards for his fiction and drama, worked as an editor with several book publishers, and taught literature and writing at Northwestern University. His plays and songs have been produced in New York, Chicago, and Milan, where he has also performed.