Blithe Spirit
Noel Coward
2004 ж. шіл. · Naxos AudioBooks · Corin Redgrave, Kika Markham, Joanna Lumley, Thelma Ruby оқиды
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2 сағ 10 мин
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Осы аудиокітап туралы ақпарат
When novelist Charles Condomine invites a medium into his house in order to learn about the occult for his new book, the last thing he or his second wife dream is that the séance will bring back his first wife, Elvira, who wants Charles all to herself! Things are further complicated by the fact that only Charles can see her, which results in some hilarious exchanges and misunderstandings. Elvira’s plots to get him to ‘the other side’ do not go to plan however, and instead of Charles dying in her contrived ‘accident’ his new wife does! Many consider this to be one of Coward’s best and most unusual farces.
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Авторы туралы
In 1964, when Hay Fever (1925) was placed in the repertory of the newly organized National Theatre, Noel Coward professed to be grateful: "Bless you for admitting that I'm a classic." A week-long series of Coward played on BBC television in 1969; there have been major revivals in London and New York; plays long out of print have been republished in popular collections. At the start of the 1960s, though, Coward's reputation had been at an ebb, as he skirmished with the angry new drama. Coward had enjoyed no big success since Blithe Spirit of 1941. There have been attempts to assimilate the rehabilitated Coward to contemporary drama. Coward himself profited from the new freedom when, in 1965, his Song at Twilight discussed homosexuality, a subject that he had evaded throughout his career. A juvenile prodigy, Coward was by turns actor, director, composer, lyricist, autobiographer, and author of nearly 60 theater pieces. He even wrote screenplays, notably for In Which We Serve (1942) and Brief Encounter (1946). Although he specialized in light comedy, the so-called comedy of manners, he worked in many forms including patriotic spectacle, revue, musical, farce, even the problem play. Hay Fever, Blithe Spirit, and Private Lives (1930) have proved to be the most durable of his comedies, along with nine short plays presented as Tonight at 8:30. In each, characters demonstrate the combination of perpetual role playing, cool hedonism, and energizing self-absorption.
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